Tommy Film Inhaltsangabe & Details
Tommy ist ein britischer Musikfilm von Ken Russell aus dem Jahr Er beruht auf der Rockoper Tommy der Musikgruppe The Who aus dem Jahr bredehallskennel.se: Finden Sie Tommy - The Movie (The Who) in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von. Komplette Handlung und Informationen zu Tommy. Die Verfilmung der Rockoper "Tommy" von "The Who" erzählt die Geschichte eines traumatisierten Jungen, der. Tommy: Musikfilm/Musical von Ken Russell/Robert Stigwood mit Jack Nicholson/Sir Elton John/Eric Clapton. Auf DVD und Blu-Ray. Besetzung und Stab von Tommy, Regisseur: Ken Russell. Besetzung: Roger Daltrey, Ann-Margret, Oliver Reed, Elton John.
Komplette Handlung und Informationen zu Tommy. Die Verfilmung der Rockoper "Tommy" von "The Who" erzählt die Geschichte eines traumatisierten Jungen, der. Für den Broadway - Musical basiert auf dem Film finden Sie The Who Tommy ist. Eine unabhängige Produktion von Russell und Robert Stigwood, Tommy. Jetzt Verfügbarkeit von Tommy überprüfen. Weil ihr Mann im Zweiten Weltkrieg verschollen ging, muss Nora Walker ihren neugeborenen Sohn Tommy alleine. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Bilder anzeigen. Der britische Filmemacher starb gestern, am Verleiher. Elton John. Supernatural 13 deutsch stream Commitments.
Tommy Film Darsteller und CrewTrending: Meist diskutierte Filme. Andrews Church in Henderson Road in Southsea gefilmt. Auch erreicht seine Lehre seine Anhänger nicht hinreichend, sie finden die erhoffte Befreiung und Erleuchtung nicht. Tommy ist ein britischer Musikfilm von Ken Russell aus dem Jahr go here Vom Mikrofon auf den Regiestuhl: 10 Musiker, die sich auch als Filmemacher ausprobiert haben. Siehe Hilfe Medien.
The machines' scoring displays were modified from their originals for the scene, to accommodate for large scores.
The other church featured was Warblington Church near Havant in Hampshire. The famous scene in which Ann-Margret's character hallucinates that she is cavorting in detergent foam, baked beans, and chocolate reportedly took three days to shoot.
Russell also recalled that Ann-Margret's husband, Roger Smith , strongly objected to the scene in which she slithers around in melted chocolate.
During the filming, Ann-Margret accidentally struck her hand on the broken glass of the TV screen, causing a severe laceration, and Russell had to take her to hospital to have the wound stitched, although she was back on set the next day.
Walker watches a parodic TV advertisement for the fictional product "Rex Baked Beans"; the costumes in this segment were originally made for the lavish masked ball sequence in Richard Lester 's version of The Three Musketeers , and the dress worn by the Queen in the Rex ad is that worn by Geraldine Chaplin in the earlier film.
On The Who's involvement with the film, members Daltrey played the title character; Moon played, in essence, a dual role as both Uncle Ernie and as himself along with Entwistle and Townshend miming on their respective instruments in the "Eyesight to the Blind" and "Pinball Wizard" segments.
About his role as the Specialist, Jack Nicholson stated: "In my whole career there was only one time when a director said to me, 'OK, come right down the pike and just look beautiful, Jack.
Filming finished in September Russell then edited the film and supervised the recording of the soundtrack. When it was done Russell said "I think it's probably the one thing I've ever done that satisfies me aesthetically.
The fact that it's a rock opera as well is a tremendous bonus because people will come see it. The film was a box office hit.
Russell later called it "the most commercial film I've ever made". The critical consensus reads:. It is the last word in pop art Everything, including the sound level, is too much.
But even this works in an odd way. The victim of the movie is as much the person sitting in the audience as it is Tommy. Variety called the film "spectacular in every way":.
Roger Ebert gave the film three stars out of four, and praised Ann-Margret as being "simply great as Tommy's mother".
He called the pinball tournament sequence: " Charles Champlin of the Los Angeles Times called the film: " On record' Tommy' seemed a bit mysterious.
On screen it's just banal. Perry Seibert of AllMovie gave the film four stars out of five and described it as: " Ol' Dirty Bastard summed up:.
A blind, deaf kid who could play pinball. What a very great idea. The original release of Tommy used a sound system devised by sound engineer John Mosely called "Quintaphonic Sound".
Some of these were so-called "matrix" systems which combined the four original channels into two which could be recorded on or transmitted by, existing two-channel stereo systems such as LP records or FM radio.
John Mosely used one of these systems QS Regular Matrix from Sansui to record front left, front right, back left and back right channels on the left and right tracks of a four-track magnetic striped print of the Cinemascope type.
A discrete centre channel was also recorded on the centre track of the print. The fourth surround track on the striped print was left unused.
In addition, John Mosely used dbx noise reduction on the magnetic tracks. Unlike the usual multiple small surround speakers used in cinemas, the Quintaphonic system specified just two rear speakers, but of the same type as those used at the front.
One problem that arose was that by the s the four-track magnetic sound system was largely moribund.
Only a few theatres were equipped with the necessary magnetic playback heads and other equipment; of those that did in many cases, it was not in working order.
Thus, in addition to installing the extra electronics and rear speakers, John Mosely and his team had to repair and align the basic magnetic playback equipment.
Each theatre that showed Tommy using the Quintaphonic system accordingly had to be specially prepared to take the film.
In this respect there is a similarity between Tommy and Walt Disney 's Fantasia , for which a special sound system Fantasound had been devised and required each theatre that showed it in the original release to be specially prepared.
Also, like Fantasound, Quintaphonic Sound was never used again five-channel stereo, in the form of 5. Tommy was later released with mono, conventional four-track magnetic and Dolby Stereo soundtracks.
Unlike other filmed rock operas such as that of Pink Floyd 's The Wall , the album is never dubbed over the film; the different actors — including Nicholson and Reed, neither of whom was known for his singing ability Reed's character's songs were cut from Oliver!
Because of this, all the songs are rerecorded and the song order is shuffled around considerably; this and the addition of several new songs and links creates a more balanced structure of alternating short and long sequences.
A large number of songs have new lyrics and instrumentation, and another notable feature is that many of the songs and pieces used on the film soundtrack are alternate versions or mixes from the versions on the soundtrack album.
From Wikipedia, the free encyclopedia. For the Broadway musical based on the film, see The Who's Tommy. This article possibly contains original research.
Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.
October Learn how and when to remove this template message. Theatrical release poster. Dick Bush Ronnie Taylor.
Robert Stigwood Organization Ltd. Hemdale Film Corporation. Ann-Margret as Nora Walker, Tommy's mother who's obsessed with glamour and luxury.
Tommy is accused of professional impropriety when her relationship with sports agent Kiley Mills intersects with the LAPD's arrest of a local sports phenom found possessing an illegal firearm.
Subscribe on Apple Podcasts , Spotify , and wherever you get your podcasts! A look at the personal and professional lives of the judges, lawyers, clerks, bailiffs and cops who work at an L.
County courthouse. Deputy Bill Hollister, a career lawman who is very comfortable kicking down doors, but is utterly lost in a staff meeting, becomes acting sheriff of Los Angeles County when the sheriff drops dead.
A New York firefighter relocates to Austin, Texas with his son, where he works to save people's lives while trying to solve his own personal problems.
A retired forensic criminologist teams up with an ambitious young detective to help capture some of the most dangerous criminals in America.
A prisoner becomes a lawyer and fights to overturn his life sentence for a crime he didn't commit.
She unravels a complex web of lies, crimes and conspiracies. An ER doctor, who fled his native Syria to come to Canada, must overcome numerous obstacles to resume a career in the high stakes world of emergency medicine.
Lawyers at an elite Memphis law firm specialize in controversial landmark civil rights cases. A sharp-witted Marine veteran becomes a private investigator in Portland, Oregon, where she takes care of her brother who has down syndrome.
The controversial new Chief of Tribal Police is forced to partner with a big-city cop amid allegations of corruption from the federal government.
Procedural drama about the inner workings of the New York office of the FBI, bringing to bear all the Bureau's skills, intellect and mind-blowing technology to keep New York and the country safe.
It was as if the writer's room brainstormed every possible hot-button social issue and then loaded it on to the central character, Tommy, which resulted in a person that gives no credence to the idea that this person worked her way through the system to her current rank or responsibility.
On top of that it has no credibility as a police procedural A Chief of Police with a one person security detail?
No vetting of the people allowed to walk into her office? No chain of command surrounding her? This series has to get a lot better, but I will let it breath a little before making my final decision, but based on this premiere, I give this series a 4 bad out of Sign In.
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External Reviews. A lot of the songs were soft. We never played like that. Some of the material had already been written for other projects.
A cover of Mercy Dee Walton 's "One Room Country Shack" was also recorded but was scrapped from the final track listing as Townshend could not figure out a way to incorporate it in the plot.
Recording at IBC was slow, due to a lack of a full plot and a full selection of songs. The group hoped that the album would be ready by Christmas, but sessions dragged on.
Melody Maker ' s Chris Welch visited IBC studios in November and while he was impressed with the working environment and the material,  the project still did not have a title and there was no coherent plotline.
The Who took a break from recording at the end of to tour, including a well received appearance at The Rolling Stones Rock and Roll Circus on 10 December.
By March , some songs had been recorded several times, yet Townshend still thought there were missing pieces. The album was commercially successful, reaching No.
An EP of selections from the album was planned to be released in the UK in November , but was withdrawn. When it was released, critics were split between those who thought the album was a masterpiece, the beginnings of a new genre, and those that felt it was exploitative.
Unfortunately, because it fundamentally dealt with the abstract concept of Maher Baba 's spiritual precepts, the interviews often gave confusing and contradictory details.
For Melody Maker , Chris Welch went to the album's press launch show at Ronnie Scott's and although the volume left his ears ringing for 20 hours, he concluded "we wanted more.
He praised Townshend for deliberately constructing the album so that each song can be enjoyed individually and felt that he is determined to "give his audience what it wants without burying his own peculiarity".
Goldman asserted that, based on innovation, performance, and "sheer power", Tommy surpasses anything else in studio-recorded rock.
According to music journalist Richie Unterberger , Tommy was hailed by contemporary critics as the Who's breakthrough, but its critical standing diminished slightly in the subsequent decades, because of its occasionally pretentious concept and flimsy songs that functioned as devices to "advance the rather sketchy plot.
In , the album was inducted into the Grammy Hall of Fame for "historical, artistic and significant value".
According to music critic Martha Bayles , Tommy did not mix rock with classical music, as its "rock opera" title may have suggested, but instead was "dominated by the Who's mature style: ponderous, rhythmically monotonous hard rock ".
Dave Marsh thought the problem with the album's narrative is that there isn't enough transitional material provided by the lyrics.
There are no stage directions, no cast, and narration is restricted to key phrases such as "Tommy can you hear me?
Mike McInnerney, mikemcinnerney. Tommy was originally released as a two- LP set with artwork designed by Mike McInnerney, which included a booklet including lyrics and images to illustrate parts of the story.
Townshend asked McInnerney to do the cover artwork for Tommy in September Townshend thought Mike McInnerney, a fellow follower of Meher Baba , would be a suitable choice to do the cover.
As recording was near completion, McInnerney received a number of cassettes with completed songs and a brief outline for the story, which he immediately recognised as being based on Baba's teachings.
The inner triptych, meanwhile, showed a hand reaching out to light and a light shining in a dark void. The final step was for record company approval from Polydor, making one concession that pictures of the band should appear on the cover.
These were added to the globe on the front. In the double vinyl album was reissued as two separate albums in the UK by Track Records , Tommy — Part 1 catalogue number and Tommy — Part 2 catalogue number on 12 May   and 16 June   respectively.
The artwork from Mike McInnerney was the inner triptych and the design coordination by Graphreaks. Tommy was first released on CD in as a two disc set.
Polydor released a newly remastered version on single disc in , which had been remixed by Jon Astley.
Astley was able to access the original 8 track tapes and bring out instruments that had been buried, such as the guitar in "Christmas", the French horn in "Sparks", the cymbals in " The Acid Queen " and the organ in "We're Not Gonna Take it".
The remastering was done under the supervision of Townshend and also includes related material not on the original album, including "Dogs-Part 2" the B-Side to "Pinball Wizard" , "Cousin Kevin Model Child" and "Young Man Blues", plus demos for the album and other unreleased songs that were dropped from the final running order.
As well as the original album, the package includes additional demos, and a live performance mostly taken from the Who's show at the Capital Theatre, Ottawa, Ontario , Canada on 15 October The live disc was significant, as it debunked a long-standing myth that the tapes for the tour were burned in preference for the Leeds University show in February that made up Live at Leeds.
The Who had planned to perform Tommy live since starting the project. The group spent April rehearsing a live version of the show at the Hanwell Community Centre in Ealing including a final run down of the entire stage piece on 23 April.
After a few warm up gigs towards the end of April,  the group gave a preview concert to the press at Ronnie Scott's Jazz Club , London on 1 May.
Realising the opera's narrative was difficult to understand, Townshend explained a synopsis of the story, before the Who played Tommy all the way through at full stage volume.
This indicated that live performances of Tommy had a significant positive response. The group continued to play large halls in the US, organised by tour promoter Frank Barsalona , and generally avoided festivals,  but made an important exception with the Woodstock festival on 16 August.
During " Pinball Wizard ", Abbie Hoffman took to the stage to protest about the imprisonment of John Sinclair before being kicked offstage by Townshend, while during " See Me, Feel Me ", the sun rose, almost as if on cue.
Townshend later said, "We know that the stage act we had, with Tommy in it, would work under any circumstances, because it had worked many times on tour.
Tommy remained in the Who's live set through the rest of the year and into In October , the Who played six shows at the Fillmore East , where Leonard Bernstein praised them for their new music.
Townshend said "This is the very last time we'll play Tommy on stage", to which Keith Moon promptly cried, "Thank Christ for that!
Public reaction to the Who's concerts that included Tommy was overwhelmingly positive. The touring helped keep the album in the public eye, and cleared the band's debts.
A complete performance is available on the Deluxe Edition of the live album Live at Leeds , recorded on 14 February The Who continued to play a smaller selection of Tommy live in subsequent tours throughout the s.
In , the Seattle Opera under director Richard Pearlman produced the first ever fully staged professional production of Tommy at Seattle 's Moore Theatre.
There were two performances that took place on the same evening. Townshend played some guitar, but otherwise the music was predominantly orchestral.
In Tommy was adapted as a film, produced by expatriate Australian entrepreneur Robert Stigwood and directed by British auteur Ken Russell.
Russell insisted on having a known cast, though Townshend wanted people who could sing the material, and was particularly disappointed at not being allowed to cast Stevie Wonder as the Pinball Wizard.
Townshend also oversaw the production of a soundtrack album , on which the unrecorded orchestral arrangements Kit Lambert had envisaged for the original Tommy LP were realised by the extensive use of synthesizer.
This sequence in the film depicts Elton John being backed by the Who dressed in pound-note suits ; the band portrayed the Pinball Wizard's band for filming,  but on the music track and soundtrack album, the music was performed entirely by him and his regular touring band.
The film and its soundtrack album featured six new songs, all written by Townshend, and an alteration to the running order compared to the original album.
The CD reissue of the film soundtrack also included an additional Overture. In , Townshend broke his wrist in a cycling accident and could not play guitar.
Looking for alternative work while recuperating, he responded to a request from the PACE Theatrical Group for the rights to a Broadway musical adaptation of Tommy.
The group introduced him to La Jolla Playhouse director Des McAnuff , and the pair began to develop the musical together.
It opened at La Jolla in summer , and was an immediate commercial success. The musical had a mixed response from critics,  while Roger Daltrey and John Entwistle thought the show was too passive.
In , bluegrass band the Hillbenders released a cover of the album, arranged by Jim Rea and produced by Louis Jay Meyers.
The group have informed Pete Townshend and Roger Daltrey in order to get official blessing. Townshend met with the group after the band's May performance in Nashville.
Track names and timings vary across editions; some editions have two tracks merged into one and vice versa.A psychosomatically deaf, dumb and blind boy becomes a master pinball player and, subsequently, the figurehead of a cult. Russell admitted he did not like the music - he disliked rock music in general - but he loved just click for source theme of the film, being about a messiah. The victim of the movie is as much the person sitting in the audience as it is Tommy. Retrieved wunder kГ¤rnten April His wife, Mrs. On star gegen die mГ¤chte des bГ¶sen staffel 3 very same day he died due to heart attack, without ever returning to the train station in which Tommy is waiting. He seeks solace with his mod clique, scooter riding and drugs, only to be tommy film. Tommy ein Film von Ken Russell mit Roger Daltrey, Ann-Margret. Inhaltsangabe: Nach dem berühmten gleichnamigen Rock-Musical von "The Who": Tommy. Tommy. Ken Russells Verfilmug der Rock-Oper von 'The Who' im HR-Double Feature 'Hippies'. Bewertung. Für den Broadway - Musical basiert auf dem Film finden Sie The Who Tommy ist. Eine unabhängige Produktion von Russell und Robert Stigwood, Tommy. Jetzt Verfügbarkeit von Tommy überprüfen. Weil ihr Mann im Zweiten Weltkrieg verschollen ging, muss Nora Walker ihren neugeborenen Sohn Tommy alleine. Tommy: Ken Russell machte die Rock-Oper von The Who zum surrealen Bildersturm.